The Image of the Void
An Investigation on Italian Art 1958-2006
Museo Cantonale d'Arte, Lugano
7 October 2006 – 7 January 2007
Press
conference: Friday 6th October, 11.00 a.m.
Opening:
Friday 6th October, 6.30 p.m.
The exhibition The Image of the Void. An Investigation on
Italian Art 1958-2006 focuses on the many aspects of the
linguistic revolution triggered in Italian art in the late
1950s. To do this, we must explore the affinities,
contaminations and contrasts between the Italian experimental
context – at the time dominated by Fontana, Manzoni and
Castellani – and Yves Klein, then a major presence in Milan both
in exhibitions and in the intense dialectic exchanges.
We will focus on the research of artists such as Lucio Fontana,
Yves Klein, Piero Manzoni, Enrico Castellani, Agostino Bonalumi,
Francesco Lo Savio, Gianni Colombo, Dadamaino, Giulio Paolini,
Alighiero Boetti, Giovanni Anselmo, Gino De Dominicis and Ettore
Spalletti to highlight a specifically Italian quality, a hidden,
underground approach - an inconsistency almost - that ran subtly
through the course of research on the European scene in the
second half of the 20th century.
The exhibition will illustrate the approach that countered the
more frequently adopted and diffuse “expressive” component with
an “evocative” metaphysical matrix. It shows these artists’
common need to leave their psychological and subjective
identities to one side and make the creator of the work
impersonal and absolute.
After the Art Informel period, centred on the Self, the new
generation moved away from a pre-eminent subject, striving to
venture beyond the confines of the immaterial and make the
exquisitely pictorial space of the void, the dimension of
infinity, absolute colour and the codes of artistic practice
essential elements in the shaping of a new vision of the status
of the work and of the very identity of art. We intend to
analyse a course of research that, despite its innovatory
portent, seems in its radical annulment to have conserved an
awareness of the inalienable need for the image. An image that
appears “bodiless” and that escaped the stalemate of the British
form of analytical and declaredly conceptual art, which rejects
the image a priori. This course never relied on purely
theoretical-speculative stances but chose to remain true to the
pre-eminence of the image
Finally, the exhibition explores the legacy that these major
players of the second half of the 20th century left
to the newest generation, identifying the aspects of that period
that live on in today’s Italian art vocabulary. To this end,
there will be works by artists such as Mario Airň, Francesco
Barocco, Gianni Caravaggio, Martino Coppes, Daniela De Lorenzo,
Chiara Dynys, Francesco Gennari, Eva Marisaldi, Amedeo Martegani,
Sabrina Mezzaqui, Diego Perrone, Luca Trevisani, Francesco Vella
e Italo Zuffi.
Artists in
the exhibition:
Mario Airó, Francesco Barocco, Giovanni Anselmo, Alighiero
Boetti, Agostino Bonalumi, Gianni Caravaggio, Enrico Castellani,
Gianni Colombo, Martino Coppes, Dadamaino, Gino De Dominicis,
Daniela De Lorenzo, Chiara Dynys, Luciano Fabro, Lucio Fontana,
Francesco Gennari, Yves Klein, Francesco Lo Savio, Piero Manzoni,
Eva Marisaldi, Amedeo Martegani, Sabrina Mezzaqui, Giulio
Paolini, Diego Perrone, Michelangelo Pistoletto, Ettore
Spalletti, Luca Trevisani, Francesco Vella e Italo Zuffi.
Exhibition
curated by Marco Franciolli, Director, and Bettina Della Casa,
Curator, Museo Cantonale d’Arte, Lugano. Video section by Elena
Volpato.
Catalogue: Italian/English, Skira Publishing House, Milan. 120
colour pages. Introduction by Marco Franciolli. Texts by Bruno
Corŕ, Bettina Della Casa, Marcello Ghilardi, Tony Godfrey, Ada
Masoero, Giulio Paolini, Annemarie Sauzeau, Dieter Schwarz and
Elena Volpato. Artists' profiles by Simone Menegoi.
Svizzera:
Museo Cantonale d'Arte (Benedetta Giorgi Pompilio), Lugano:
tel. 091. 9104787 fax 091.9104789
|
 |
Giovanni Anselmo, Particolare, 1972
Proiettori e diapositive con la parola
“Particolare” veduta parziale
dell'installazione.
Collezione dell’artista, Torino
Foto Paolo Mussat Sartor, Torino
|