Mousse Contemporary Art Magazine

• “The Monkey and the Clay” at Fondation Martell, Cognac

  How might we live today, and what paths can we carve toward a future that is more harmonious, balanced, and attuned to all forms of life, both human and more-than-human? At the Fondation d’entreprise Martell, we are steadfast in our belief that artists possess a unique capacity to reframe the critical challenges of our era,

• Genti Korini “A Place in the Sun,” Albanian Pavilion at Arsenale, Venice

  The Albanian Pavilion at the 61st International Art Exhibition of La Biennale di Venezia presents A Place in the Sun, a moving-image installation by Albanian artist Genti Korini, curated by Polish curator and art critic Małgorzata Ludwisiak. Within the three-channel video work, live acting, puppetry, animation and an original sonic score converge to form a fictional

• Arash Nassiri “Night Mode” at Fondation Pernod Ricard, Paris

  The spaces of the Fondation Pernod Ricard have been dimmed to welcome the exhibition Night Mode, French-Iranian artist Arash Nassiri’s first large-scale, solo show in a French institution. Composed of a brand new set of sculptures and a video titled A Bug’s Life (2026), co-produced with the Chisenhale Gallery in London where it was on

• “Counter City” at Galerie Neu, Berlin

  “Architecture must be thought of as a system of representation”—Beatriz Colomina If architecture is understood as a representational system, the metropolis emerges as one of its most pervasive expressions. As a form of representation shaped by the societies that construct it, the built environment embeds and consolidates their underlying social structures. In a Western context,