Mousse Contemporary Art Magazine

• Eric N. Mack “A Whole New Thing” at Wexner Center for the Arts, Columbus

  Eric N. Mack’s installation for the lobby commission at the Wexner Center for the Arts deepens his ongoing inquiry into abstraction and reveals a painterly sensibility. Mack foregrounds the expressive and transformative potential of fabric—not only as a material, but as an atmospheric, structural, and social medium. Titled A Whole New Thing, this site-responsive work activating

• Matt Browning “All Woodcarvings Remain Slow Motion Mobiles” at Kunstverein München

  Since 2013, Matt Browning has worked steadily in carving. All Woodcarvings Remain Slow Motion Mobiles brings together works produced during this time, all carved in Douglas fir. Each sculpture takes the form of a chain-link carving cut from a single piece of wood, through which interior voids, grids, and frames emerge without assembly. Rather than

• Paula Rego “Story Line” at Victoria Miro, London

  “When you write your story… invention comes when you do a drawing. As you are drawing something, it very often turns into something else, and you can go with it. It develops in a completely different way, it’s organic and it’s done with the hand. The hand makes it change and so on.”—Paula Rego, The

• “Adam Pendleton + Antoni Tàpies” at Alfonso Artiaco, Naples

  This two-person exhibition brings the work of Adam Pendleton into dialogue with that of Antoni Tàpies, one of the most influential figures in postwar European abstraction. Across generations and geographies, both artists approach painting as a field where language, material, and history intersect. Tàpies’s charged surfaces—marked by signs, letters, and tactile accumulations—redefined the possibilities of