Mousse Contemporary Art Magazine

• “A.rtificial I.ntrospection O.” at HALLE FÜR KUNST Steiermark, Graz

  The exhibition A.rtificial I.ntrospection O. (A.I.O.) examines thinking, perception, and subjectivity within the tension between introspection, cybernetics, and artificial intelligence. Its point of departure is the work of the Austrian writer, cognitive psychologist, and cyberneticist Oswald Wiener (1935–2021), whose genuine thinking since the 1950s critically navigated between these fields while systematically resisting institutional appropriation.  At the center

• Tania Candiani “Radix” at IVAM, Valencia

  What would happen if a museum allowed visitors to peer underground? What if, by pulling on a corner, a hidden, complex, and vibrant world emerged, normally relegated to invisibility? Radix suggests this possibility through an ecological fabulation that shifts the gaze toward the depths of history, culture, and the memories of the subsoil. Tania Candiani’s

• Elisa Giardina Papa “She Flickered In and Out of History” at ICA London

  In Summer 2026, the Institute of Contemporary Arts (ICA) presents a new video and mixed-media installation by interdisciplinary artist Elisa Giardina Papa (b. Italy; lives and works in New York, U.S., and Sant’Ignazio, Sicily). In 1831, an underwater volcanic eruption gave rise to a new landform between Tunisia and Sicily, sparking a violent sovereignty dispute among European

• Jasper Marsalis “Still Life” at Chisenhale, London

  Chisenhale Gallery presents Still Life, the first institutional exhibition in the UK by Londonbased artist Jasper Marsalis. For this new commission, Marsalis presents a large-scale audiovisual installation that accesses and reworks public broadcast signals, raising questions of transmission and attention in the systems that govern how images and sounds reach us.  A cinematic screen displays a