Mousse Contemporary Art Magazine

• John M Armleder “Le fantôme de la chance” at Kunshtaus Biel

  An artist who defies categorisation, John M Armleder (*1948) has spent the last sixty years drifting between artistic movements, practices and media. With a background in performance art and Fluxus, he is also a leading figure in the Neo Geo movement. His art is characterised in particular by a constant questioning of the expectations of

• Mimosa Echard “Doll’s Theater” at Kunsthaus Biel

  Continuing her work on the creation and circulation of images, the French artist Mimosa Echard (*1986) transforms the «white cube»  of the Salle Poma into a conceptual cave. Numerous mythologies are invoked within its walls—prehistoric motifs; New York’s Times Square; Diana, the Roman goddess of the hunt; or the global phenomenon of the Spice Girls, among

• Tohé Commaret “Mijitas” at Spike Island, Bristol

  A banqueting hall with Ionic columns, cheap chandeliers, large round tables with cream tablecloths, and chairs adorned with matching slipcovers. It is both the day after and the morning before. It is that undefinable interim between events—the time when anything and everything can happen.  Tohé Commaret presents various generations navigating between different realities, cultures, and

• “Paroles, Paroles” at Centre d’Art Contemporain – La Synagogue de Delme

  “The poets were the first to see what is not seen.”            —Hussein Nassereddine, How to See Palace Pillars as if They Were Palm Trees, 20231 The Aron Kodesh, the Torah ark where the holy scrolls are stored and protected in a typical synagogue, is now covered over in white plaster at the Centre d’Art Contemporain – La Synagogue de Delme.