Mousse Contemporary Art Magazine

• Alice Peach “Still Curly” at Iowa, New York

  In Still Curly, Alice Peach presents new sculptures that transform the humble popsicle stick into surprisingly modular formations. The sticks, pale and flat, assume skeletal poses, undulating like the curvature of a spine or the off-kilter construction of a torso. Peach fashions them to the wall, splayed, or suspends them from the ceiling, operating almost

• Giuditta Branconi “Cannon Fodder” at Collezione Maramotti, Reggio Emilia

  In my paintings everything happens at the same time.I don’t want to guide the viewer; the viewer can see whatever they want.The gaze is anarchic.—Giuditta Branconi For Cannon Fodder, her first solo show in an institutional setting, the young artist Giuditta Branconi has created a series of new paintings and a large installation of painted

• “Passages” at Kunsthalle Friart Fribourg

  Passages is an exhibition about the mutability of matter and form. While questions of form often concern how material is endowed with, or given form, the exhibition likewise attends to the existential dimension embedded within a larger notion of form. The moment in which something takes form is often also the moment in which an

• “Where it doesn’t reach” at Lo Brutto Stahl, Paris

  Lo Brutto Stahl is pleased to present Where it doesn’t reach,  a group exhibition featuring Bas Jan Ader, Hélène Janicot,  and Park McArthur. The exhibition brings together works in photography, sculpture, and installation by Hélène Janicot and Park McArthur, alongside a historical photograph and film by Bas Jan Ader. The exhibition extends to Basel as